This is where I will post comicbook pages: 11 x 17″; (with panels, gutter, trim, image area – at current industry size; for submission to major publishers.
Disclaimer: The following have never been published, and are not to be shown anywhere – if I find any of these circulating, I won’t share them again.
The purpose of sharing these, is to give an idea of what level of quality I am working to bring to the upcoming comics. It’s easy to draw beautiful women well, since the motivation is inherent. To learn to draw the rest of what makes up a professional comicbook, requires patience, dedication and labor. But, the reward, is a larger scope of interesting stories, situations, and character nuance, that keeps the range of the Pre-Code comic from becoming repetitive, and boring.
The scope of my work for the team ( 2 writers, a colorist, and a letterer ) is 6 pages. [2 pages and a partial page remain. ] They are going to submit it ASAP [ once I ink, and grey tone (b/w color) ].
The Apocrypha is work that I did over the past 20 years. Stacks of art, I’ve never shared publicly, which I am now scanning – before I put it in storage. The LuridMax project 1st phase, is collecting all the scans, connecting oversized scans, remastering them, and assembling them into a collection for public access.
The Early access subscriptions give viewers interested, full view of the images I am preparing, before I edit it. Some pages seen in early access, won’t appear in the Collection.
As a collector, I appreciate variant covers, sketch artwork, and unpublished, and rare images. Access to Lurid Max is essentially a VIP pass to all of the above. Welcome to my Comicbook Studio! – It’s a pleasure to share my weekly work.