Synopsis: Model plays the role of 5 clones. The first 4 scenes are simple to stage physically. The model changes clothes after each scene. The first costume* is reused for the last ‘clone’ (it is the original).
different basic costumes: ( cite examples from their work: red dress: or a red short skirt, 2 piece ( spandex, hi short – black skirt with pink bikini -thong). The school girl outfit from ( insert name ). Generally, skirt, spandex shorts that are very short, revealing most of glutes, and when kneeling, reveals crotch from rear. Colors suggested: bright red; black; blue; green; lavender
Main prop: The guillotine, Set upright
Special effects: Key, side view, as in aforementioned.
Camera views: similar views as above (special effects from side view as above)
If possible: lay the bodies on the ground, using sfx, to show gore on unmoving body. If too difficult (time consuming), to use post process for each clone to be laid sort of in a row on the ground somewhere (far enough apart, that the sfx post process is simple) – ie, A static image, with the next clone photographed far enough away in the frame, that the upper part can be superimposed, and match. Easy alternative; a top view down, of the bodies on a white sheet; so can use post process to have the same model, from 4 different photos, appear to lie on sheet, about a foot apart (enough to let natural shadow not intersect) – (camera on a ladder?, to get distance, so entire length of body in shot; simple cgi to remove the head. *
* if done realistically – could be a compelling trailer image. (not sure how time consuming- to have rectangular sections of video of the model, on white sheet, face up, unmoving, (not static; which is generally less realistic, but breathing normally, chest rising), with the camera moving slightly, to show depth (and not static image): and then postprocess the 4 rectangular video segments, into one scene, where it appears 4 bodies, are lying next to each other (of same model) – with sfx, removing head for about 10 – 13 seconds.
Line of 4 heads: a similar process, for heads on table, (shelf) or convenient to stage platform. Where the heads can be seen to be unmoving. Simple top down view , medium distance, camera about 3 feet in front of face, and 3 feet above head. A towel placed around base. Can be red stained, or red or black to begin with. 10 – 13 seconds.
Cast: 1 actor, 1 actress.
The guy in all the videos. As the Factotum (F).
The actress ( ). As the 4 Clones, and 1 Original. (C1. C2. C3. C4. & O)
Trailer content (marketing impact): If the model gets into position for the guillotine, 5 times (wearing 5 different costumes),- with 4 head falling into the basket sfx ( profile view: ),
And it’s indicated on the description, that 4 clones are beheaded. I think it would increase sales. (without taking a lot of the models time, remembering ‘exact’ lines, or lots of camera work for extended petting, play, touch, ect.)
Comment: The one thing your studio offers, that 99% of larger budget, fetish, porn, doesn’t, is the horror sfx. Your guillotine sfx, head fall / sound effects, look the best on the market right now. For anyone on the fence, (who might have gotten older videos that were leaked), four sfx in one clip, is remarkable, and if it gets more in the door, at the outset (with your change to bit coin; and the time it takes to set that up for a casual customer) it might help get more customers at the outset, who could stay tuned, for the rest of the year.
guillotine, profile(or three fourths, front view; showing the top and length, of the figure: as in (insert video name). (which is sfx
Plot: 4 Clones are guillotined on upright setting, wrists bound behind back, ( profile view/ sfx- like Sophie magically loses her hea.) 5th one is spared, ( after saying the code word) then released. The
4 bodies are layed out in a row, and then the 4 heads.
Story: The batch of clones, resulted in betrayals, and attempted assassination. The original knows a special code, that identifies her, from the clones. Each clone denies being a clone, until the last minute. Finally, it is the last one that knows the code, and is spared.
Cast:
C1: long hair loose. Short shorts * spandex) , Bra, sports bra, tight spandex.
Screenplay:
Clone 1:
FT: “C.mon, lets go.”
The first clone is dragged into the room, sort of resisting, ( feet pushing , rear leaning back, some clattering of heels) as Factotum pushes. The path is from 10 feet from the guillotine, which is set upright*. Coming to stand , within the frame, next to the guillotine; which has no basket.
C1 looks with an angry, sort of resistant expression, frowning, and anxiously, looking from the device to the way out.
C1: “ You’re going to cut off my head?”
Scene 1. Profile View A: Profile view of Upright Guillotine, framed on the right side, with the C1 in view on the left.
C1 is seen standing three fourth front view, on the left of the guillotine* – Factotum(FT) is to her left with a hand on her shoulder. He takes a small cord, from his pocket to tie her wrists.
Rear View B: Camera is from rear, C1 is seen 3 inches below buttocks, and at least up to scapula, as her wrists are tied. ( for about10 -13 seconds ) – her hands grip, and open, and seem to express agitation. (costume should be a bra, or bikini top, revealing back; and shorts should be low on waist, and very short, or a thong)
FT:” You already know this.”
Profile View A: C1 stomps, and leans forward, emphatically. “ But, what if I’m the original?”
FT walks over to attach the basket to the guillotine. While C1 looks desperate, and wanting a response, to delay her execution.
FT, ignores C1, and raises the blade to test it – while she looks at it, in flinching horror, glance at it, then away, then at it, wide eyed, with a sour, awful expression, and self pity.
FT: “ Then say the code – if you don’t know it, you aren’t the original. “
He presses the switch, and the blade comes down loudly. Then he walks over to where C1 is standing; she leans back, about to back away, as he puts a hand on her shoulder, and brings her to the upright guillotine.
She looks at the lunette.
Scene 2. Rear View B. Camera view changes to from behind her, and above, looking down into the lunette, with her back , at least 3 inches below buttocks, and resisting, bound wrists, (and her entire upper body ) in view. For about 8 seconds total.
As she looks at the lunette for about 3 secs, then turns to FT who is on her left, (allowing camera to see her profile of face for about 2 seconds.
C1: “But what if I forgot,… and I am actually the original?” sounding frantic, desperate.
FT: ” The original wouldn’t forget something like that. “
Then look back, as FT pushes her 45 degrees toward the lunette, with her muscles resisting at first for 2 seconds.
Front Three Fourths view C. Camera is slightly front three fourths, nearly profile.
6 seconds, she is lowered into the guillotine’s lunette, and is about 30 degrees from being on it.
Camera RearView B. From previous position, (but rear top view, ) she is lowered all the way onto the lunette. 9 seconds.
1st 3secs, she is positioned looking down, and hair push away from neck.
2nd 3 secs, she turns her head to left, (see profile of face; muscles on back and wrists bound resist).
C1: “Wait. I am the original! I forgot the code!!”
3rd three seconds the lunette is lowered into position.
Camera Looking up view D. Basket view, looking up at C1face( as in *)
FT: (voice) “ You are not. The doctors tested you. You know this.”
Profile View A: C1 is in position, the shorts are hiked up to reveal much of buttocks. 15 seconds from this view. FT is on the basket side, and spends about 6 secs moving her hair away from the neck, 1st 5 secs – C1 bends knee (kicking up heel:first, of leg facing camera:she has on high heels). 2nd 5 secs, resists bound wrists flexing against them three times, in different directions, for a moment each -as though bucking against the bonds: like leaning back, pulling back, against the guillotine.
3rd 5 seconds. kick leg furthest from camera (bend knee). Tilt head back, twice, . C1 ( grunting): “ ungh.”
Camera looking up view D: (6 seconds)
Camera Rear view B: legs and upper back in guillotine. 6 seconds. Resist wrists. Buttocks flex , pushing back leaning to right, as though pulling, for a second, and then resting for several secs – then pulling, twisting to other side; then back to center.
C1:“ It wasn’t me. But I know which clone did it! ”
Camera view E: Factotum eye view, from left side of guillotine, a foot in front of basket, looking down on C1 , with view of upper body on guillotine, and basket below.
6 seconds. FT says: in last three seconds: “ It doesn’t matter, all the clones are going to beheaded.”
Main Sfx Scene 3:
Camera Profile view A: C1 is seen to resist, frantically with slight flexing of legs, and movement of buttocks, and head tilting back, as though trying to shake it. for 3 seconds.
Then Sfx of blade , and hea fall, – maintaining the same camera view. With head cgi removed. The body goes slack for 3 seconds, then resists for a second, then slack for 3 secs, ( repeat 3 times) – for a 12 seconds ( like a zombie)
FT, releases the lunette.
Camera view, top down on body. Full figure ( or at least 4 inches below groin to above neck wound), using sfx to remove the head.
Plot: Then repeat Scenes with C2.
Clone 2 ( C2): ( Hair is tied in a high pony tail. Costume is similar, but slightly different, color, and/or Thong/skirt, bra/ kirtle/ bikini)
Clone 2:
FT: “Your turn.”
The second clone is dragged into the room, sort of resisting, ( feet pushing , rear leaning back, some clattering of heels) as Factotum pushes. The path is from 10 feet from the guillotine, which is set upright*. Coming to stand , within the frame, next to the guillotine; which has a basket.
C2 looks scared, sort of a pleading expression. Anxiously looking from the device to FT.
C2: “ I’m going to lose my head?”
Scene 1. Profile View A: Profile view of Upright Guillotine, framed on the right side, with the C2 in view on the left.
C2 is seen standing three fourth front view, on the left of the guillotine* – Factotum(FT) is to her left with a hand on her shoulder. He takes a small cord, from his pocket to tie her wrists.
Rear View B: Camera is from rear, C2 is seen 3 inches below buttocks, and at least up to scapula, as her wrists are tied. ( for about10 -13 seconds ) – her hands grip, and open, and seem to express agitation. (costume should be a bra, or bikini top, revealing back; and shorts should be low on waist, and very short, or a thong)
FT:” Yes. Put your head into the guillotine, and lets get this over with.”
Profile View A: C2 shakes her head. backing away. FT grabs her. She says terrified “ No! ”
FT holds her by both upper arms, as she looks up, closing her eyes, like a terrified woman, captured by the Thing from the Black Lagoon.
FT pushes C2 toward the upright guillotine, for 3 seconds, she shuffle, resists, until her pelvis reaches the guillotine board.
C2: “Stop, I know the code!” sounding frantic, desperate.
FT: ( looking bemused, in response; sardonic ) ” Really? You suddenly know it now?”
FT pushes her 45 degrees toward the lunette, with her muscles resisting at first for 2 seconds.
Front Three Fourths view C. Camera is slightly front three fourths, nearly profile 6 seconds, she is lowered into the guillotine’s lunette, and is about 30 degrees from being on it.
Camera RearView B. From previous position, (but rear top view, ) she is lowered all the way onto the lunette. 9 seconds.
1st 3secs, she is positioned looking down, and hair push away from neck.
2nd 3 secs, she turns her head to left, (see profile of face; muscles on back and wrists bound resist).
C2: ( in a manipulative, con artist type tone) “Yes! I know the code.”
3rd three seconds the lunette is lowered into position.
Camera Looking up view D. Basket view, looking up at C2face( as in *)
FT: (voice) “ Sure ( sarcastic),..of course, you would say that.”
Profile View A: C2 is in position, the shorts are hiked up to reveal much of buttocks. 15 seconds from this view. FT is on the basket side, and spends about 6 secs moving her hair away from the neck, 1st 5 secs – C2 bends knee (kicking up heel:first, of leg facing camera:she has on high heels). 2nd 5 secs, resists bound wrists flexing against them three times, in different directions, for a moment each -as though bucking against the bonds: like leaning back, pulling back, against the guillotine.
3rd 5 seconds. kick leg furthest from camera (bend knee). Tilt head back, twice, . C2 ( grunting): “ ungh.”
Camera looking up view D: (6 seconds)
Camera Rear view B: legs and upper back in guillotine. 6 seconds. Resist wrists. Buttocks flex , pushing back leaning to right, as though pulling, for a second, and then resting for several secs – then pulling, twisting to other side; then back to center.
C2: “,.. I wrote the code down, if let me up for a moment, and I’ll go get it,..”
Camera view E: Factotum eye view, from left side of guillotine, a foot in front of basket, looking down on C2 , with view of upper body on guillotine, and basket below.
6 seconds. FT says: in last three seconds: “ Heh, heh, ,… nice try. But you can’t be trusted.”
Main Sfx Scene 3:
Camera Profile view A: C2 is seen to resist, frantically with slight flexing of legs, and movement of buttocks, and head tilting back, as though trying to shake it. for 3 seconds.
Then Sfx of blade , and head fall ( high tied pony tail), – maintaining the same camera view. With head cgi removed. The body goes slack for 3 seconds, then resists for a second, then slack for 3 secs, ( repeat 3 times) – for a 12 seconds ( like a zombie)
FT, releases the lunette.
Camera view, top down on body. Full figure ( or at least 4 inches below groin to above neck wound), using sfx to remove the head. C2’s body is placed 1 foot away from C1’s body, in a row, ( sfx, superimposed ) for 6 seconds.
Clone 3 (C3): costume variation, as described before. Hair, top bun.
Clone 3:
FT: “ There are two more after you, please don’t make this take more time that it has to.”
The third clone is dragged into the room, sort of resisting, as Factotum pushes. The path is from 10 feet from the guillotine. Coming to stand , within the frame, next to the guillotine;
C3 looks worried. Anxiously looking from the device to FT.
C3: ( Sounding like it’s ridiculous, and she is about to cry from her misfortune) “I’m to be beheaded!?”
Scene 1. Profile View A: Profile view of Upright Guillotine, framed on the right side, with the C3 in view on the left.
C3 is seen standing three fourth front view, on the left of the guillotine* – Factotum(FT) is to her left with a hand on her shoulder. He takes a small cord, from his pocket to tie her wrists.
Rear View B: Camera is from rear, C3 is seen 3 inches below buttocks, and at least up to scapula, as her wrists are tied. ( for about10 -13 seconds ) – her hands grip, and open, and seem to express agitation. (costume should be a bra, or bikini top, revealing back; and shorts should be low on waist, and very short, or a thong)
FT: “ Just like the other two clones, decapitated earlier.”
Profile View A: C3 shakes her head. backing away. FT grabs her. She says terrified “ You can’t do this, .. It’s not Fair !! ”
C3 looks accusingly at FT, as he opens the lunette, and approaches her, to put her on the guillotine. She dodges his hand toward her shoulder, by reflexively moving her shoulder away, with a focused look, – implying she will lower herself, with out his assistance.
C3 leans over the upright guillotine, for 3 seconds, placing her head under the top board of the lunette, and over the basket.
Front Three Fourths view C. Camera is slightly front three fourths, nearly profile ( 6 seconds), she is in the guillotine’s lunette, and is about 30 degrees from being on it.
Camera RearView B. From previous position, (but rear top view, ) she is all the way onto the lunette. 9 seconds.
1st 3secs, she is positioned looking down, and hair push away from neck.
2nd 3 secs, she turns her head to left, (see profile of face; muscles on back and wrists bound resist).
C3: ( in an admonishing tone) “Only one of the clones is guilty.”
3rd three seconds the lunette is lowered into position.
Camera Looking up view D. Basket view, looking up at C3face( as in *)
FT: (voice) “ But it might be you.”
Profile View A: C3 is in position, the shorts are hiked up to reveal much of buttocks. 15 seconds from this view. FT is on the basket side, and spends about 6 secs moving her hair away from the neck, 1st 5 secs – C3 bends knee (kicking up heel:first, of leg facing camera:she has on high heels). 2nd 5 secs, resists bound wrists flexing against them three times, in different directions, for a moment each -as though bucking against the bonds: like leaning back, pulling back, against the guillotine.
3rd 5 seconds. kick leg furthest from camera (bend knee). Tilt head back, twice, . C3 ( grunting): “ ungh.”
Camera looking up view D: (6 seconds)
Camera Rear view B: legs and upper back in guillotine. 6 seconds. Resist wrists. Buttocks flex , pushing back leaning to right, as though pulling, for a second, and then resting for several secs – then pulling, twisting to other side; then back to center.
C3: “Y’know , Its not right, to execute me, without proof. ”
Camera view E: Factotum eye view, from left side of guillotine, a foot in front of basket, looking down on C3 , with view of upper body on guillotine, and basket below.
6 seconds. FT says: in last three seconds: “ I’m Sorry, this batch of clones cannot be trusted.”
Main Sfx Scene 3:
Camera Profile view A: C2 is seen to resist, frantically with slight flexing of legs, and movement of buttocks, and head tilting back, as though trying to shake it. for 3 seconds.
Then Sfx of blade , and head fall ( high tied pony tail), – maintaining the same camera view. With head cgi removed. The body goes slack for 3 seconds, then resists for a second, then slack for 3 secs, ( repeat 3 times) – for a 12 seconds ( like a zombie)
FT, releases the lunette.
Camera view, top down on body. Full figure ( or at least 4 inches below groin to above neck wound), using sfx to remove the head. C3’s body is placed 1 foot away from C2’s body, in a row, next to C1 ( sfx, superimposed ) for 6 seconds.
Clone 4: costume variation. Hair in low pony tail.
Clone 4:
FT: “ Execution time.”
The fourth clone is dragged into the room, sort of resisting, as Factotum pushes. The path is from 10 feet from the guillotine. Coming to stand , within the frame, next to the guillotine;
C4 looks defiant/scared. Anxiously looking from the device to FT.
C4: Sounding matter of fact, callous, unashamed “ So, 3 other clones were beheaded before me already?”
Scene 1. Profile View A: Profile view of Upright Guillotine, framed on the right side, with the C4 in view on the left.
C4 is seen standing three fourth front view, on the left of the guillotine* – Factotum(FT) is to her left with a hand on her shoulder. He takes a small cord, from his pocket to tie her wrists.
Rear View B: Camera is from rear, C4 is seen 3 inches below buttocks, and at least up to scapula, as her wrists are tied. ( for about10 -13 seconds ) – her hands grip, and open, and seem to express agitation. (costume should be a bra, or bikini top, revealing back; and shorts should be low on waist, and very short, or a thong)
FT: (Sounding intrigued) “ You admit you’re a clone?.”
Profile View A: C4 is composed, and moves as directed. She says as a confession “ I’m not ashamed. ”
C4 looks proud, chin raised, arrogantly. FT,opens the lunette, and approaches her, to put her on the guillotine. She moves forward to comply.
C4 leans over the upright guillotine, for 3 seconds, placing her head under the top board of the lunette, and over the basket.
Front Three Fourths view C. Camera is slightly front three fourths, nearly profile ( 6 seconds), she is in the guillotine’s lunette, and is about 30 degrees from being on it.
Camera RearView B. From previous position, (but rear top view, ) she is all the way onto the lunette. 9 seconds.
1st 3secs, she is positioned looking down, and hair push away from neck.
2nd 3 secs, she turns her head to left, (see profile of face; muscles on back and wrists bound resist).
C4: ( in a proud tone) “They were all innocent.”
3rd three seconds the lunette is lowered into position.
Camera Looking up view D. Basket view, looking up at C4 face( as in *)
FT: (voice) “ Maybe, but this was the only way, to be sure.”
Profile View A: C4 is in position, the shorts are hiked up to reveal much of buttocks. 15 seconds from this view. FT is on the basket side, and spends about 6 secs moving her hair away from the neck, 1st 5 secs – C4 stretches legs. 2nd 5 secs, taking a deep breath.
3rd 5 seconds. folding, and clasping hands, with composure. C4 : “ What you are doing, is 4 times worse.”
Camera looking up view D: (6 seconds)
Camera Rear view B: legs and upper back in guillotine. 6 seconds. Resist wrists. Buttocks flex , pushing back leaning to right, as though pulling, for a second, and then resting for several secs – then pulling, twisting to other side; then back to center.
C4: “I am a hero, but you are a tool. ”
Camera view E: Factotum eye view, from left side of guillotine, a foot in front of basket, looking down on C4 , with view of upper body on guillotine, and basket below.
6 seconds. FT says: in last three seconds: “ You may see it, that way. But, I am doing my job: executing the condemned.”
Main Sfx Scene 3:
Camera Profile view A: C4 is seen to remain composed for 3 seconds.
Then Sfx of blade , and head fall (low tied pony tail), – maintaining the same camera view. With head cgi removed. The body goes slack for 12 seconds.
FT, releases the lunette.
Camera view, top down on body. Full figure ( or at least 4 inches below groin to above neck wound), using sfx to remove the head. C4’s body is placed 1 foot away from C3’s body, in a row, next to C2, and C1 ( sfx, superimposed ) for 6 seconds.
Original (O1): Same costume as the first costume. ( hair loose, long).
Original:
FT: “ Unless, you tell me the code, my orders are to take you to the guillotine. ”
The original is dragged into the room, as Factotum pushes. The path is from 10 feet from the guillotine. Coming to stand , within the frame, next to the guillotine;
O1 looks sort of amused, like repressing a smile. Curiously looking from the device to FT.
O1: Sounding bright, upbeat, and not scared. “ You guillotined the 4 clones?”
Scene 1. Profile View A: Profile view of Upright Guillotine, framed on the right side, with the O1 in view on the left.
O1 is seen standing three fourth front view, on the left of the guillotine* – Factotum (FT) is to her left with a hand on her shoulder. He takes a small cord, from his pocket to tie her wrists.
Rear View B: Camera is from rear, O1 is seen 3 inches below buttocks, and at least up to scapula, as her wrists are tied. ( for about10 -13 seconds ) – her hands grip, and open, and seem to express agitation. (costume should be a bra, or bikini top, revealing back; and shorts should be low on waist, and very short, or a thong)
FT: (Sounding hesitant, uncertain) “ You’re next, unless you know the code.”
Profile View A: O1 is unconcerned, and seems fascinated. Looking up and down at the guillotine. “Can you not use the basket this time?”
FT: “ Uh, sure, .. if that is your last request – but it will be messy.”
FT,opens the lunette, and approaches her, to put her on the guillotine. She acts as though she is in a ride at a carnival.
O1: ( With a mischievous, tone, and attitude of anticipation) “ Wait, before, I get into the guillotine,- can I take off my clothes.
FT: ( sounding unsure, taken by surprise) ” Why would you want to do that?,…. Okay,..it doesn’t matter.”
O1 takes off her clothes, seductively, and slowly, and makes a teasing, like seductive demonstration of getting in position over the guillotine.
O1 leans over the upright guillotine, for 3 seconds, placing her head under the top board of the lunette, and over the basket.
Front Three Fourths view C. Camera is slightly front three fourths, nearly profile ( 6 seconds), she is in the guillotine’s lunette, and is about 30 degrees from being on it.
Camera RearView B. She is showing off her rear, and looking around to FT, and being seductive.
O1: “ Am I doing this right?”
FT lowers the lunette into position.
Camera Looking up view D. Basket view, looking up at O1 face( as in *)
FT: (sounds, distracted ) “ Uh, .. Yes.”
Profile View A: O1 is in position, 15 seconds from this view. FT is on the basket side, and spends about 6 secs moving her hair away from the neck,
She behaves as though it is part of a sex toy.
O1 : ( She asks, in a tone, like a mistress, asking her submissive, to admit a desire ) “ Do you like seeing me in this position? ”
FT: “,… uh,,.. what do you,.. I mean,.. it’s my job to,.. “
Camera looking up view D: (6 seconds)
Camera Rear view B: legs and upper back in guillotine. 6 seconds. Resist wrists. Buttocks flex , pushing back leaning to right, as though pulling, for a second, and then resting for several secs – then pulling, twisting to other side; then back to center.
O1: ( using an innocent tone) “Oh,.. nothing,..I just thought you seemed aroused, when I got into the guillotine. ”
Camera view E: Factotum eye view, from left side of guillotine, a foot in front of basket, looking down on O1 , with view of upper body on guillotine, and basket below.
6 seconds. FT says: in last three seconds: “ Well, you are naked, and very beautiful .. and watching you bend over, is,.. arousing”
O1: “ Come here, I want to whisper something into your ear,..”
FT, comes over, holds his hand to his ear, and leans in next to her, she lifts her head as high as she can, and. Then he looks surprised, and stands up, hand on his chin – pondering. “ Why didn’t you just tell us the Code right away.”
Camera Profile view A: O1 is smiling, and talking in a tone, like a girl who played a prank, and is amused by the bewilderment it caused.
“ I’ve never been in a guillotine. And since I have the code, I know you wouldn’t actually chop off my head.”
FT: “ But all those clones, lost their heads,,.. If you told us the code before – we wouldn’t have used this method, to detect the original. “
O1: “ Those clones were dangerous, Next they would have assassinated me. Now I am finally safe. “
FT: “ Okay, I will let you out.”
O1:” First, lets celebrate! -”
FT: “What did you have in mind,..”
O1: “ Well, while I’m tied up, and my neck is fastened in this guillotine, I thought,,.. maybe,,. “
O1: ( turning head to the side, and looking up toward FT, who is standing in front of her to her left side. With an expression that is courteous, and not meant to be imposing; slightly bashful) “,.. if you’re interested,..” She sways her buttocks to either side, and flexes them twice., nodding her head to the left twice; as though pointing him in that direction.
FT: His eyes widen, he looks up at her buttocks, and says “ You want me to,..”
He looks bashful, shy,.. smiling, closing his eyes,… “ No,.. I can’t,.. this job is important,.. I’m not supposed to.”
He unlocks the lunette, and lets her up. She seems slightly angry, and stands there, look at him, as he exits the stage left. She looks with squinting eyes, in the left offscreen, with a pout, and at the guillotine, then the clothes on the ground. She picks them up.
O1: “ Hummp!”
And storms off the stage.
Camera shows the panorama of 4 severed heads ( either on trophy, side by side, as sfx, superimposed, with towel wrapped under neck; or on silver platters. Or, use camera pan, to show the heads, in separate frames, as though panning across a screen’s worth of distance to reach each head, splicing 4 scenes, of the different hair styled Clone heads, sitting on a long table or floor, ( close up, against a sheet, with no indication of place in room).
Then the 4 clone bodies, for 10 secs. Fade out.
The End.