Queue:

Mon Mar 23 2020 – I submitted a script yesterday, to a producer, that takes script submissions, and produces them in his studio, with female models ( nude). I typed a 14 page script on March 21, then edited it to submit, the 6 page version on March 22.

ETA Feb 13 2020 75 words * broadcast rights included. ETA Feb 27 (1500 words: Thermidor part II: French Revolution historical-fiction: Time-Lost/ Madame Tussaud’s Workshop). ETA Mar 1 ( 200 Words: Zaydimar script I 200 words: the actress that wrote me – she Really Loved the Story)

Scripts:

Thermidor

In development:

Thermidor Part III: : Scenes of Artisans, making wax models of heads, ect,..Plot of Time Lost: story arc: Gedmar, Laice. The Time Travel crew/ their superiors: ( End of Robiespierre’s Terror: Jacobin loyalists.

Proposed Act II muscadins: White Terror; develop. Dandyish street fighters – prison; retaliation for terror.

Act III inventor of guillotine (‘ innocence rouge’- ref); epilogue, Rousseau’s social contract, the revolution, The Demagogue: Thermidor.

[Application: A historical fiction series, promoted individually as Thermidor: Madame Tussaud’s Workshop* ( 6th scale model photos); Time-Lost : Witchfynder: possibly, separate: or as Witchfynder: one-shot.

Zaydimar

Zaydimar: Story arc. Currently working on it. ( Segues into Umbreed: Xth’raddon; Biresan fleet/ Drinna Warlords) Flashing back to life before harem – while surviving in forest; meeting new companions. The details of the harem’s massacre, and umbreed host;

Extra: cloning story arc ( being developed) spoiler: character’s relationships; nature of the umbreed army, and Suathra’s motivation; and Xth’raddon’s invasion.

V’Nakam Rytu – Deathshook

S’kerrah story arc: nearly ready to order. Part of a larger series: Scenes: noir suspense. Love scene ( nsfw). Zaydimar (Scheherazade’s paradigm).

Stories in Development

Proposed: Introducing two new characters ( feline/humanoid: Taniva, J’neesha) origin, cross-over in Zaydimar: forming origin story of P.U.S.I.K.O.P.S., ThunkDekats, RistoKatz; The Tabrilans, only ones agile, fast enough, to face the GorMaxes.

Shardanna – pirate and Caladrian princess: pending Zaydimar story arc: and Mal’Floyddar story arc.

Wynpera – pending S’Kerrah story arc, and developing Zaydimar story arc.

Jindravia- pending Rylanda and companions; Galindor story arc.

S’Jera – pending Mal’Floyddar story arc; and Wynpera, Oro, Sozahn, plague, and clones; and Nysarga.

Carrenna- pending S.O.T.S. story arc, Mehkt, Valtor, Shardanna story arc. Pending Zaydimar, Wynpera; Sozahn. Rylanda. Pending 1st episode of Congo Jongo.

Congo Jongo stories: in development: character description; rough scenes: pending Suathra/Drackendour/ P’munte story arc; pending Swampgirl story arc.

Swampgirl- character description monologue ready – 2nd gig actress 1 pending: additional lines, segments. ( and casting determinations for a dozen other promising actresses) Pending Drinna/ Gormax script embellishment, and excerpt choosing.

Voice over Casting:

Goal is to get these read, and recorded, ASAP: ( since voice actresses can be suddenly unavailable: for continuity) Once the basic characters, premise, sound effects, phrase bank, and foundational scripts are in final; embellished, screenplay-ish format, I will relax about script writing.

These are the aspects of the mainstream professional project I worked on for a year; which I wanted to apply to the lore I’ve been developing since 2014. The IP, is the resource, which enables trademarks, copyrights, royalties, and differentiates it from others in the genre; my voice, signature, message, ideas, tribute to friends/family, life experiences, and the root of the ‘novel’ aspect of the ‘visual novel’.

Assembling IP Writings

Currently 1/3 of the way through compiling 6 years worth of notes, brainstorms, vignettes, story arc ideas, sci-fi concepts; dialogue, scenes; layouts, character designs, names, maps, logos, titles – it is relieving, to harvest the ripened products, and prepare them for presentation. The drawing part is the easy part. While I am in the main studio, this is my chief priority. Getting all the lore database, in an edited, polished form ( these scripts/screenplays/lore documents, with dialogue), on the website; read by a variety of voice actresses: edited, and ready to plug into Renpy, when I start making stock drawings ( ink, CSP color).